White-Knuckle Grip
http://owl.heggen.net

by Kimberly Heggen

November 2001

A short, rather plotless little piece of Jim-angst. This takes place some unspecified time after S2P2. Spoilers for that episode. No other warnings that I can think of. Inspired by a walk through a cemetery.

It's late -- I don't know just how late, because I'm facing away from the clock, and I don't really care all that much anyway -- and I'm curled up in one corner of the couch. The book lies open on my lap, the words blurring slightly as my tired eyes momentarily refuse to focus. I start to yawn, seduced with pleasant fatigue. At first I force it back, then I give up and luxuriate in it, stretching my arms and straightening my legs out of their cramped position.

The motion causes my book to slip to the floor, losing my place. I lean down to retrieve it and nearly knock over the mug of lukewarm tea that sits forgotten on the coffee table. Maybe it's time to go to bed before I do something really clumsy. I set the book -- a much-loved collection of some of Steinbeck's works -- on the table. Instead of getting up, I lean back into the cushions and close my eyes. Just a few minutes; then I'll get up and go to bed.

Other than the crackling of the dying fire, and Jim's steady breathing from upstairs, the loft is quiet. He went to bed early; I'm not sure where he was all day but I sure didn't see much of him. He did seem tired when he got home, and he dragged himself upstairs by about nine-thirty. I teased him about it, about how old guys needed to go to bed early so they could get up at the crack of dawn.

Now I listen to the quiet rhythm of his breathing and wonder what it must be like for him, to hear every tiny sound. I have to strain to actually hear him; he's not a snorer. Although he suddenly seems to be getting louder for some reason, as well as more erratic.

I sit up, curious. Maybe he's having an interesting dream. After all, he didn't say where he was today; maybe he was out with some woman and now he's dreaming about her. That could account for the funny little moans that I'm hearing now. Suddenly embarrassed, I stand up and start folding up my blanket. If Jim's having X-rated dreams, I don't think I really want to listen to any more of this.

"No," I hear from upstairs, spoken softly but clearly. "No."

With blanket now folded, I sit back down on the couch and listen. "No," he says again, less distinctly. "No, it can't be true. Oh, God, I'm so sorry."

Okay,this doesn't exactly sound like The Adventures of Jim and the Swedish Bikini Team. Either Jim's flipped his lid and he's apologizing to his pillow for drooling on it, or he's having one hell of a nightmare. Feeling somewhat voyeuristic, I strain to catch what he's mumbling now. He's starting to get fairly unintelligible. I catch a few words, more apologies and denials, and slowly I realize the reason that his words have become so difficult to make out. It's a difficult sound to recognize, because it's one I've never heard from him before.

Jim is crying, in his sleep. Weeping as if his heart has broken, never again to be whole.

This represents a fairly difficult moral dilemma. In a way, it's almost as embarrassing as my previous theory regarding the nature of his sleep disturbance. Do I ignore these admittedly heart-rending sounds, or do I go upstairs and wake him up? Comfort him, even? I like to think of myself as a sympathetic, nurturing person, but Jim tends to be as prickly as a porcupine about expressing emotion. He'd probably deny having a nightmare, then chew me out for waking him up.

No... the safest thing for both of us is for me to gather up my stuff and go to bed. He'll settle down in a few minutes. Bad dreams don't last that long, right? He'll just roll over and start dreaming about something more pleasant, and then I won't have to listen to all of this sobbing and whimpering. Which, by the way, is getting louder.

Almost angrily, I snatch up my blanket and book and stride purposefully towards my room. I'm almost there, almost safe... when Jim shouts so loud that I expect the windows to blow out.

"SANDBURG!!!"

I drop the stuff, and before I know it I'm bounding up the stairs. Oh, God, what the hell is going on here? Is he having some kind of attack? Hallucinations? I clear the top three steps almost without touching them, and come skidding to a stop on the wood floor, my gaze fixed on the man who lies tangled up in the blue comforter.

The light in the upper floor of the loft is pretty dim, just some moonlight and the glow from the street lights. Nonetheless, I can see Jim pretty clearly. He's curled up into a fetal position, shuddering and moaning. And he's definitely still asleep.

I approach cautiously. I guess I'm committed now, but I still have this uncomfortable feeling that I'm about to wake a sleeping bear. A grumpy sleeping bear, who's going to be very embarrassed about the whole thing. Taking a deep breath, I lean over him and grasp his thrashing shoulder firmly.

"Jim, wake up! You're having a bad dream! You're going to wake the neighbors!" There, that was good. Keep it practical. Nothing touchy-feely about waking him up that way. Nonetheless, I keep my hand on his shoulder.

His eyes fly open, and for a moment I'm staring into the face of a terrified man. His nostrils are flared and his pupils are dilated; his breath comes in stutters. Then relief and recognition flood into his eyes, and I feel the clenched muscles beneath my hand relax ever so slightly.

"Sandburg," he breathes. His right hand comes up across his body to seize my wrist in a white-knuckle grip, almost painfully. His eyes hold my gaze, in a grip less physical but no less compelling. "You're here."

I smile a bit weakly. "Of course I'm here. Jim, you were making enough noise to wake the entire building."

He shudders, once, and closes his eyes. "I'm sorry. Just... just a bad dream." His hand maintains its tight squeeze on my wrist, not quite hard enough to cut of my circulation, but tight enough that I can feel his fingernails denting my flesh. Tears gleam on his cheeks, silver in the moonlight. I resist an impulse to reach up with my free hand and wipe them away. He'd kill me just for noticing.

"Must have been one hell of a nightmare." I try to keep my voice light.

He just nods, eyes still closed. His grip on my arm relaxes a bit, and I start to slide my wrist away. I'd like it back before Mr. Kung-Fu Grip here decides to see if he can crack my bones with his bare hands. But he clutches at me, almost convulsively, and ends up squeezing my hand instead. It's the terrified grasp of a drowning or dying man, trembling slightly with effort.

It doesn't look as if I'm going to be going anywhere anytime soon, so I sit down on the edge of the bed. Jim is sprawled in the middle, so there's plenty of room. "Hey, Jim, you still awake? You want to tell me what this is all about?"

His eyes open again. They still look haunted and hollow, but there's a trace of sheepish embarrassment around the edges. "Sorry, Chief.I'm okay. Go on back downstairs and get some sleep."

"I wasn't asleep. I was up reading." And how am I supposed to go back downstairs without my hand? 'Cause Jim doesn't seem to be relinquishing it. "C'mon, tell me. I promise I won't laugh."

He's quiet for a few minutes, and looks away. I see him swallow a couple of times, as if he's fighting back emotions. I squeeze his hand gently, wishing that I had the right words to help him talk about this. Something has frightened Jim very much, shook him up to an extent I've never seen before.

I think, if he would just break down and cry, or rage, or both, he'd feel a lot better. But Jim is Jim, and he's going to stay in control if it kills him. It's only his sleeping subconscious that has let me know that anything is even wrong.

At last he clears his throat. His voice, when he finally speaks, is raw and hoarse. "I went out to the cemetery today. To see Marty Mulhauser's grave." He rubs his free hand across his face, scrubbing away the drying tears. "Do you know who he was?"

I've heard the name, but I'm not sure. "No. I think you've told me, but I don't remember. Sorry."

He shakes his head. "Don't be. If I've mentioned him, it would have been a long time ago." He pauses again. "Marty was one of my men on the mission to Peru. When they rescued me, they also recovered the bodies of my men -- I'd marked the graves -- and brought them back to the States for burial. Marty's the only one who's buried in Cascade. I go out there every once in a while, just to think."

I don't answer, as there doesn't seem to be anything much I can say to this. Instead, I squeeze his hand again, feeling the warm life of it. On some level, I'm aware that this is a side of Jim I've never seen before; a Jim who wants me to sit on his bed while he tells me his fears, a Jim who clutches my hand like a small child with a trusted adult. Maybe it's the time of night, or the dark, or simply the residual power of the nightmare... but I'm not sure I've ever felt this needed.

"So I went out there today. I sat for a while, thought about our times together in the service, and left some flowers. I spent a couple of hours wandering around the cemetery, looking at the veterans' graves."

"That sounds peaceful," I venture.

He nods. "It is. I wish to God that Marty hadn't died, that none of them had died... but I think I've finally quit blaming myself for the whole thing. I couldn't have done anything about the crash, and I did the best that I could for my injured men."

He's quite again for a moment. I don't want to interrupt his reverie, especially since he seems to be feeling a bit better, but he still hasn't told me about his dream. "Jim, what was your dream about?"

Jim grimaces. "I'm getting to that. Do you mind?"

"Sorry." At least he sounds more like himself. I look down at our joined hands. I wonder if he even realizes that he's still holding mine. "Go ahead."

"I spent quite a while out there, and then I went for a long walk. I was pretty tired when I got home, and I had a lot on my mind. That's why I went to bed so early."

"I noticed," I say neutrally.

"In my dream, I was back out at the cemetery. Only this time, when I found Marty's grave, I noticed something different. The headstone was still in the same place, but there was another one next to it that looked exactly alike. Which didn’t make sense; it was a military-style headstone, but the name on it... well, it was someone who wasn’t the military type." He looks up at me, and I’m struck by the deep anguish in his eyes. "Chief, it was your name... and the date, the date of your death..." His voice cracks.

"Jim, it was just a dream. I’m here, I’m alive." I squeeze his hand.

"It was the day you almost died in the fountain," he whispers. "You were dead, buried next to Marty. Two friends I had failed to save. I... was on my knees in front of your headstone, screaming that it had to be a mistake."

"So that’s why you called out my name," I say softly. Now it makes sense.

He nods, and we sit quietly for long minutes. When he finally speaks again his voice is a little stronger. "Sorry, Chief. Didn’t mean to scare you like that. I’ll be okay, now." He waves vaguely in the direction of the stairs, with his free hand. "Go ahead and go to sleep."

His grip finally relaxes with these words, and I slide my hand out of his... somewhat reluctantly. But it’s never a good idea to push Jim past his comfort zone. I’d prefer to stay up here, watch him fall asleep, be available if the dream returns. Instead, I stand up.

"Are you sure you’re okay, Jim?"

"Positive. Now go back downstairs and let me sleep." He rolls over, away from me.

I grin into the darkness as I make my careful way to the stairs, hearing the gratitude that lies underneath the gruffness. Sleep well, my friend, and dream of laughter and peace.

(finis)

 

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© 1999-2001 by Kimberly Heggen. All rights reserved.
The characters of Jim Ellison, Blair Sandburg, Simon Banks, and the remaining recurring characters that were blatantly lifted from the scenes of the television show The Sentinel are the property of Pet Fly Productions. No ownership of these characters is expressed or implied.
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